The Artist's Toolkit: Visual Elements and Principles
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Color
Space
Texture

Balance
Emphasis
Movement/
Rhythm

The Artist's Toolkit: Visual Elements and Principles
EncyclopediaColor

 

Value refers to the lightness or darkness of a color. Colors mixed with white are called tints. Pink is a tint of red. Colors mixed with black are called shades. Burgundy is a shade of red. Paintings that use only one color and the tints and shades of that color are called monochromatic (one=mono; color=chromatic).

Balance diagram  

 

Tints and shades of red make up nearly all the colors used in this painting, along with a tint of violet. For the most part, this painting could be called monochromatic.

Philip Guston, Bombay, 1976, oil on canvas, Walker Art Center, Bequest of Musa Guston

Philip Guston
Bombay
1976
oil on canvas
Walker Art Center
Bequest of Musa Guston
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Saturation or intensity refers to the "purity" of color. A pure color is at its highest saturation, its most intense and brightest form. If white, black or another color is added to a pure color, its saturation decreases and its intensity drops. On this palette you can see many colors in their pure and most intense form as well as colors that have lost some intensity after the artist mixed them.

Rosa Bonheur, Palette, 19th century, Oil on wood palette, The Minneapolis Institute of Arts, Gift of The Thomas Barlow Walker Foundation

Rosa Bonheur
Palette
19th century
Oil on wood palette
The Minneapolis Institute of Arts
Gift of The Thomas Barlow Walker Foundation
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Dramatic changes in intensity can be made by mixing varying amounts of two complementary colors. Where equal parts of two complementary colors are mixed together (here, green and red), a neutral brown is created.

Detail of Rosa Bonheur's "Palette", 19th century, Oil on wood palette, The Minneapolis Institute of Arts, Gift of The Thomas Barlow Walker Foundation

Rosa Bonheur
Detail of Palette
19th century
Oil on wood palette
The Minneapolis Institute of Arts
Gift of The Thomas Barlow Walker Foundation
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A variety of browns are used in this bowl. Mixing different sets of complementary colors creates different browns. Some browns appear to have more of one color in them than another. For example, the brown background glaze used in this bowl appears to have more red mixed into it than its complement, green.

Artist Unknown, Tea Bowl, Southern Sung dynasty, Chi-chou ware Stoneware with brown glaze to the exterior with papercut decoration reserved in dark brown against a variegated buff ground on the interior, The Minneapolis Institute of Arts, Gift of Ruth and Bruce Dayton

Artist Unknown
Tea Bowl
Southern Sung dynasty
Chi-chou ware Stoneware with brown glaze to the exterior with papercut decoration reserved in dark brown against a variegated buff ground on the interior
The Minneapolis Institute of Arts
Gift of Ruth and Bruce Dayton
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Color Wheel  |  Value  |  Mood  |  Natural Color  |  Fantastic Effects

 
Walker Art Center The Minneapolis Institute of Arts ArtsConnectEd