The Artist's Toolkit: Visual Elements and Principles
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Color
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Texture

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Emphasis
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Rhythm

The Artist's Toolkit: Visual Elements and Principles
EncyclopediaTexture

 

Everything, including works of art, has a texture or surface. Texture can be rough, bumpy, slick, scratchy, smooth, silky, soft, prickly, the list is endless. In this section you'll examine the actual texture of works of art, and discover how artists create the illusion of texture with paint, wood, stone and clay. You'll also see how differences in texture can be used to create the illusion of space.

Texture diagram  

 

Works of art have a variety of actual textures created by the artist's choice of materials and how they are handled. The actual texture of this oil painting is quite rough and bumpy.

Vincent Van Gogh, Olive Trees, 1889, Oil on canvas, The Minneapolis Institute of Arts, The William Hood Dunwoody Fund

Vincent Van Gogh
Olive Trees
1889
Oil on canvas
The Minneapolis Institute of Arts
The William Hood Dunwoody Fund
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You can see how the artist applies color with short, choppy brushstrokes to create the rough texture.

Detail of Vincent Van Gogh's Olive Trees, 1889, Oil on canvas, The Minneapolis Institute of Arts, The William Hood Dunwoody Fund

Vincent Van Gogh
Detail of Olive Trees
1889
Oil on canvas
The Minneapolis Institute of Arts
The William Hood Dunwoody Fund
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The actual surface of this sculpture is hard, cold, and smooth. It's made of marble!

Jud Nelson, Hefty 2-Ply, 1979-1981, Marble, Walker Art Center, Purchased with the aid of funds from Mr. and Mrs. James K. Wittenberg, the National Endowment for the Arts, and the Art Center Acquisition Fund

Jud Nelson
Hefty 2-Ply
1979-1981
Marble
Walker Art Center
Purchased with the aid of funds from Mr. and Mrs. James K. Wittenberg, the National Endowment for the Arts, and the Art Center Acquisition Fund
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The surface of this clay jar consists of rows of pointy bumps. So its surface feels rough to the hand.

Lobi, Jar with Lid, 20th century, Ceramic, The Minneapolis Institute of Arts, Anonymous Gift

Lobi
Jar with Lid
20th century
Ceramic
The Minneapolis Institute of Arts
Anonymous Gift
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In this granite sculpture, the large part of the bottom of the nearest column and at the top of the column in the background is rough and rocky, while the narrow parts of the two columns are smooth and polished.

Martin Puryear, Ampersand, 1987-1988, Granite, Walker Art Center, Gift of Margaret and Angus Wurtele

Martin Puryear
Ampersand
1987-1988
Granite
Walker Art Center
Gift of Margaret and Angus Wurtele
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The lizard perched on the side of this drum has a coarse, scaly texture. The top and bottom of the drum are smooth.

Iatmul, Kundu Drum, 20th century, Wood, rope, The Minneapolis Institute of Arts, The Ethel Morrison Van Derlip Fund

Iatmul
Kundu Drum
20th century
Wood, rope
The Minneapolis Institute of Arts
The Ethel Morrison Van Derlip Fund
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This garden bench is made of three different materials, each with its own texture: a highly polished vertical granite anchor, the horizontal slab of cedar, and a roughly textured unfinished green rock called basalt.

Kinji Akagawa, Garden Seating, Reading, Thinking, 1987, Granite, basalt, cedar, Walker Art Center, In memory of Elizabeth Decker Velie

Kinji Akagawa
Garden Seating, Reading, Thinking
1987
Granite, basalt, cedar
Walker Art Center
In memory of Elizabeth Decker Velie
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Walker Art Center The Minneapolis Institute of Arts ArtsConnectEd