The Artist's Toolkit: Visual Elements and Principles
Explore the Toolkit
See Artists In Action
Encyclopedia
 

Line
Shape
Color
Space
Texture

Balance
Emphasis
Movement/
Rhythm

The Artist's Toolkit: Visual Elements and Principles
EncyclopediaColor

 

Artists use colors to create a variety of desired effects. When an artist paints a scene or objects realistically, colors are used in imitation of the things being painted.

Kay Kurt, Weingummi II, 1973, oil on canvas, Walker Art Center, Purchased with the aid of funds from the National Endowment for the Arts and the Butler Family Foundation

Kay Kurt
Weingummi II
1973
oil on canvas
Walker Art Center
Purchased with the aid of funds from the National Endowment for the Arts and the Butler Family Foundation
Enlarge

 

The dust and moisture in the atmosphere make the color of an object appear duller and less intense the further away it is from the viewer.

Camille Pissarro, Place du Théâtre Français, Paris: Rain, 1898, Oil on canvas, The Minneapolis Institute of Arts, The William Hood Dunwoody Fund

Camille Pissarro
Place du Théâtre Français, Paris: Rain
1898
Oil on canvas
The Minneapolis Institute of Arts
The William Hood Dunwoody Fund
Enlarge

 

The building in the center of this painting appears farther away than those to the left and right in part because the artists has grayed the colors.

Detail of Camille Pissarro's "Place du Théâtre Français, Paris: Rain", 1898, Oil on canvas, The Minneapolis Institute of Arts, The William Hood Dunwoody Fund

Camille Pissarro
Detail of Place du Théâtre Français, Paris: Rain
1898
Oil on canvas
The Minneapolis Institute of Arts
The William Hood Dunwoody Fund
Enlarge

 

This fiber artist created the look of a small village seen through the clouds. She chose dyes that made delicate, pale colors, the equivalent of tints (colors made less intense by the addition of white). In this way, she used the same knowledge that a painter would use to mix colors that make the village seem far below.

Helena Hernmarck, The Glimpse, 1974, Wool and linen; weft-faced with discontinuous weft patterning, The Minneapolis Institute of Arts, The Adele Roller Fund and gift of Mr. and Mrs. Myron T. Kerr, Jr.

Helena Hernmarck
The Glimpse
1974
Wool and linen; weft-faced with discontinuous weft patterning
The Minneapolis Institute of Arts
The Adele Roller Fund and gift of Mr. and Mrs. Myron T. Kerr, Jr.
Enlarge

Color Wheel  |  Value  |  Mood  |  Natural Color  |  Fantastic Effects

 
Walker Art Center The Minneapolis Institute of Arts ArtsConnectEd