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Sacred Symbols:  Four Thousand Years of Ancient American Art October 26, 2003 - January 11, 2004

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KeroThe Moche and the Nazca established a vast communication and trade network, upon which the Inca capitalized when they rose to power in later centuries. The Inca flourished for a short but vibrant time, and left a gorgeous artistic record of their accomplishments. The wood kero in this exhibition is a ceremonial drinking vessel, illustrating a husband and wife on a trading venture along one of the many Peruvian roads. The man leads their loaded llama while the woman follows, and vibrant geometric panels reminiscent of Andean textiles decorate the remaining space. The Institute is indebted to Dolly Fiterman for her gift of this fine vessel, which completes a show full of the best art found in ancient America.

Sacred Symbols brings together masterworks from some of the most respected American collections, allowing visitors to see for themselves the richness and variety of art produced by the accomplished and diverse Native American cultures. Thanks to the generosity and cooperation of the lending museums, we have been able to assemble an unequalled exhibition. “Sacred Symbols” introduces us to the finest of what went before, and reminds us of the living creativity and talent of indigenous Native American artists today.

Molly Hennen is Assistant Curator in the Department of Africa, Oceania, and the Americas at The Minneapolis Institute of Arts.

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Image: Inca, Peru, Kero, 1300-1550, Wood, pigment, The Minneapolis Institute of Arts, Gift of Dolly Fiterman

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