Painters and sculptors who work in the Realist style imitate natural surfaces and textures. The actual texture of a
painting or sculpture may not be at all the same as the "visual texture" that the artist is imitating.
Master of the Procession
Gathering of Gamblers with Hurdy-Gurdy Player c. 1660
Oil on canvas
The Minneapolis Institute of Arts
The John R. Van Derlip Fund
In the detail of this painting, you can see the artist's successful imitation of the surface of a soap bubble. Its
"visual texture" appears to be wet and shiny. If you look more closely, you can see the actual texture created by the artist's
application of paint.
Master of the Procession
Detail of Gathering of Gamblers with Hurdy-Gurdy Player c. 1660
Oil on canvas
The Minneapolis Institute of Arts
The John R. Van Derlip Fund
This artist created nearly perfect visual textures in this painting. For example, the carving above the photograph and
the paper on the door create the illusion that the work of art consists of a wooden door with paper glued and nailed onto it.
John F. Peto
Reminiscences of 1865 after 1900
Oil on canvas
The Minneapolis Institute of Arts
The Julia B. Bigelow Fund by John Bigelow
This artist carved marble to represent the visual texture of a gauzy, transparent veil.
Raffaelo Monti
Veiled Lady c. 1860
Marble
The Minneapolis Institute of Arts
The Collectors' Group Fund
This portrait looks like a photograph, but it's really a painting. A photograph is a record of the actual appearence of
things. Notice how carefully the artist has imitated, in paint, the textures found on a face, like whiskers and bumps. This is a great
example of an artist's attempt to create visual texture that is almost as good as the real thing!
Chuck Close
Big Self-Portrait 1967-1968
acrylic on canvas
Walker Art Center
Art Center Acquisition Fund